Monday, September 01, 2014

New Releases September 2014

New releases:

No One Needs to Know by Amanda Grace: September 8th
Kiss of Broken Glass by Madeleine Kuderick: September 9th

Falling Into Place by Amy Zhang: September 9th
Wildlife by Fiona Wood: September 16th

Ashes to Ashes (Burn for Burn #3) by Jenny Han and Siobhan Vivian: September 16th
I'll Give You the Sun by Jandy Nelson: September 16th

Get Even by Gretchen McNeil: September 16th
Belzhar by Meg Wolitzer: September 30th

Lies We Tell Ourselves by Robin Talley: September 30th
The Fine Art of Pretending by Rachel Harris: September 30th

New in paperback:

Meet Me at the River by Nina de Gramont: September 2nd
Rose Under Fire by Elizabeth Wein: September 2nd

Reality Boy by AS King: September 2nd
Leap of Faith by Jamie Blair: September 9th

If You Could Be Mine by Sara Farizan: September 9th
Tumble & Fall by Alexandra Coutts: September 16th

The Paradox of Vertical Flight by Emil Ostrovski: September 23rd
The Vow by Jessica Martinez: September 30th

What September releases are you most excited for?

Friday, August 29, 2014

Review: Kiss of Broken Glass by Madeleine Kuderick

Title: Kiss of Broken Glass
Author: Madeleine Kuderick
Publisher: HarperTeen
Release date: September 9th 2014
Pages: 224
Genre: Young Adult contemporary
Source: Edelweiss - I received a free eGalley of this book from the publisher in exchange for an honest review. Thanks!
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In the next seventy-two hours, Kenna may lose everything—her friends, her freedom, and maybe even herself. One kiss of the blade was all it took to get her sent to the psych ward for seventy-two hours. There she will face her addiction to cutting, though the outcome is far from certain.
When fifteen-year-old Kenna is found cutting herself in the school bathroom, she is sent to a facility for mandatory psychiatric watch. There, Kenna meets other kids like her—her roommate, Donya, who’s there for her fifth time; the birdlike Skylar; and Jag, a boy cute enough to make her forget her problems . . . for a moment.
My rating: 3 out of 5 stars

I love the premise of Kiss of Broken Glass. I've read a number of books on the issue of self-harm, but Kiss of Broken Glass is unique because of the main character's motivation. Kenna started cutting because of peer pressure, because her group of friends at school does it, which is a really interesting/scary idea and adds a whole new layer of complexity to the issue. That's what made Kiss of Broken Glass such an intriguing and fascinating read. 

I also loved Madeleine Kuderick's writing style. Verse is kind of hit-or-miss for me, but when it's well-done, I love it, and Madeleine Kuderick definitely did it well. Her writing style is beautiful and evocative; Kiss of Broken Glass is the kind of book where you have to stop every once in a while to really take in the beauty of a phrase, or how perfectly it captures the emotions it's trying to express. No matter my feelings about other aspects of the novel, the writing has ensured that I will definitely read whatever Madeleine Kuderick will publish next.

But despite the great premise and beautiful writing, I had some issues with Kiss of Broken Glass. And honestly, most of those issues stem from it being really, really short. With 224 pages in verse, there just isn't enough space to really flesh out the story or the characters. It seemed more like a psychological character study than like a novel, really, because there's not all that much of a story arc. I get that, since it's set over just 72 hours, there obviously isn't going to be some kind of miraculous cure, but I still wanted more from the story than I got.

The secondary characters are especially underdeveloped. I've read a couple of books set at facilities like this one, and I think the setting has a lot of potential for interesting interactions between characters. But sadly, I didn't get enough of that in Kiss of Broken Glass - again, because it's so short. There are a couple of secondary characters, but because they're not fleshed out enough, they seemed more like plot devices than like real people. Especially the hint of romance seemed forced. The characters of Kenna's family members are underdeveloped, too, just because there isn't enough space to create complex secondary characters in such a short novel.

The premise has a lot of potential, and I absolutely loved Madeleine Kuderick's writing. But because the novel is so short, there isn't enough space to fully develop a story arc or to flesh out any of the characters. That made it hard for me to really feel anything while reading the story. I really wish this novel had been twice as long, to fully develop the story and to create complex characters, because I think I could have really loved this one. 

Wednesday, August 27, 2014

Review: Falling into Place by Amy Zhang

Title: Falling into Place
Author: Amy Zhang
Publisher: Greenwillow Books
Release date: September 9th 2014
Pages: 304
Genre: Young Adult contemporary
Source: BEA 2014
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Why? Why did Liz Emerson decide that the world would be better off without her? Why did she give up? Vividly told by an unexpected and surprising narrator, this heartbreaking and nonlinear novel pieces together the short and devastating life of Meridian High’s most popular junior girl. Mass, acceleration, momentum, force—Liz didn’t understand it in physics, and even as her Mercedes hurtles toward the tree, she doesn’t understand it now. How do we impact one another? How do our actions reverberate? What does it mean to be a friend? To love someone? To be a daughter? Or a mother? Is life truly more than cause and effect?
My rating: 4 out of 5 stars

Falling Into Place combines so many factors that I usually hate - an omniscient narrator, non-linear storytelling with lots of flashbacks rather than a focus on a current plot - but somehow, it works. I don't even know how to explain why Falling Into Place is so good; not all that much happens, since it's set in the stand-still after Liz's car crash, but the writing is so amazing that it doesn't even matter.

I really, really dislike omniscient narrators. I've read very few books that make it work, and while I was interning this summer, I read a ridiculous amount of queries with omniscient narrators that are used as an excuse for tons of head-jumping and a lack of focus in the story. So to say I was wary when I saw Falling Into Place has an omniscient narrator would be an understatement. But somehow, it totally works. Once you understand who the narrator is, it makes sense for them to have access to every characters' thoughts and story. I figured out who the narrator is about halfway through the book, but that doesn't make this way of telling the story any less powerful. It's pretty much genius the way this balances objectivity with a personal investment in the characters' lives, and I loved getting this perspective.

When you add non-linear, snapshot-like storytelling to this omniscient narration, Falling Into Place should be confusing as hell. As a reader who is used to linear, first-person narration, I am easily confused by anything that jumps from one character or one time period to another, let alone both. But somehow, it all comes together and makes sense even to a simplistic reader like me; the different points in time and the different characters' stories intertwine in intricate but subtle ways that tie the story together seamlessly; the story flows nicely, and I pretty much couldn't stop reading, despite (or because of) the non-linear storytelling.

Telling the stories of so many characters, it is easy to let them embody cliches and simplify their relationships, but that is definitely not the case in Falling Into Place. All of these characters' issues resonated with me, even if I didn't particularly like them or agree with them most of the time. They are self-destructive and vulnerable, and complex in the best way. The relationships, too, are toxic and complex, making for a fascinating read. The characters' vulnerability and pain is honest and heartwrenching, which is what makes this such an emotional read.

I can't talk about this much without spoiling things, but I wasn't a huge fan of the ending; I thought it was too abrupt and didn't fit the theme of the rest of the story. I get that ending it another way might have been problematic, and I might be in the minority in this opinion. But I think that, no matter how the story ends, it would be important to explore the emotions related to the outcome, and I found that aspect to be lacking.

Also, one more little complaint: I know the whole physics-thing is supposed to be meaningful and relevant, but... I just didn't care. A someone who doesn't really care about physics (sorry not sorry), I just found those passages kind of boring, to be honest.

Amy Zhang, I love you for writing this beautiful story, but I also hate you a little bit for making me feel like a total underachiever by writing something so good while still being in high school. But I still mainly just love this book. With effortlessly beautiful writing and vulnerable, complex characters, Falling Into Place is a quiet but powerful, heartwrenching, exceptionally-crafted novel that I can't recommend enough.

Tuesday, August 26, 2014

Top Ten Tuesday #29: Books I Really Want to Read But Don't Own Yet

Top Ten Tuesday is a meme hosted by The Broke and the Bookish with a different topic for a top-ten list each week. You can find out more about it here.

This week's topic is: Top Ten Books I Really Want to Read But Don't Own Yet

1. The Book of Broken Hearts by Sarah Ockler

I loved most of Sarah Ockler's books, and I really want to read The Book of Broken Hearts. (To be honest, the only reason I haven't bought it is the embarrassing cover. But I'll just have to get over that.)

2. Isla and the Happily Ever After by Stephanie Perkins

Let's just get this one out of the way. Obviously I need to buy Isla as soon as possible.

3. Fault Line by Christa Desir

I love Christa Desir's Bleed Like Me, and Christa is awesome on Twitter, so I really need to read her debut.

4. Raw Blue by Kirsty Eagar

I feel like everyone who has read Raw Blue has loved it like no other; I don't think I've read a single bad review for this one. I really really need to get over my only-reading-recent-releases thing and buy Raw Blue.

5. The Disenchantments & Everything Leads to You by Nina LaCour

I'm just going to count these two as one because I couldn't decide which of them to put on the list. I absolutely loved Nina LaCour's debut, Hold Still, but for some reason still haven't read her newer releases. Her writing in Hold Still is amazing, so I really need to get to these.

6. Golden by Jessi Kirby

I loved both Moonglass and In Honor by Jessi Kirby - Jessi Kirby's writing style is just amazing. So of course I need to read her newest release!

7. Where the Stars Still Shine by Trish Doller

Trish Doller's debut, Something Like Normal, is one of my all-time favorites, and I have no idea why I still haven't bought Where the Stars Still Shine.

8. The Museum of Intangible Things by Wendy Wunder

I loved Wendy Wunder's writing in The Probability of Miracles, so I can't wait to read her sophomore novel!

9. White Lines by Jennifer Banash

I love gritty, dark contemporary YAs like this, and I've heard amazing things about White Lines. I'm also kind of obsessed with the cover, and I don't even know why, since it's a very standard YA girl's face cover.

10. Like No Other by Una LaMarche

I recently read Una LaMarche's Five Summers and loved it, so I really need to get my hands on a copy of Like No Other!

Have you read any of these? Which books do I absolutely need to get right away?

Monday, August 25, 2014

Review: No One Needs to Know by Amanda Grace

Title: No One Needs to Know
Author: Amanda Grace
Publisher: Flux
Release date: September 8th 2014
Pages: 240
Genre: Young Adult contemporary
Source: NetGalley - I received a free eGalley of this book from the publisher in exchange for an honest review. Thanks!
Add to Goodreads | Purchase from Amazon
Sometimes, the cost of love is too steep.
Olivia's twin brother, Liam, has been her best friend her whole life. But when he starts dating, Olivia is left feeling alone, so she tries to drive away Liam's girlfriends in an effort to get her best friend back.
But she meets her match in Zoey, Liam's latest fling. A call-it-like-she-sees-it kind of girl, Zoey sees right through Olivia's tricks. What starts as verbal sparring between the two changes into something different, however, as they share their deepest insecurities and learn they have a lot in common. Olivia falls for Zoey, believing her brother could never get serious with her. But when Liam confesses that he's in love with Zoey, Olivia has to decide who deserves happiness more: her brother or herself?
My rating: 3 out of 5 stars

No One Needs to Know turned out to be quite different than I'd expected. The description makes it sounds like this is just Olivia' story, but we really have alternating chapters from Olivia's and Zoey's POVs. This made me really happy, because, the synopsis makes it out to be like it's Olivia's decision whether Zoey stays with her brother or goes out with her, when that's obviously not for Olivia but for Zoey to decide. And the synopsis also doesn't do Zoey and Olivia's relationship justice: they're not just rivals for Liam's attention: they go to the same school, and they have some history that makes them, well, not quite BFFs. That means we had a really intriguing set-up, to add to love triangle with boy/girl twins that I loved; making for a fascinating premise.

But even though I loved the set-up, the story just isn't developed enough for me to actually love this book. The characters are pretty stereotypical: Olivia is the rich popular girl, and Zoey is the outcast from the wrong side of town. And there really isn't all that much else to them. Their issues could have been interesting to read about, but they're not really explored in any depth. I never got to know them enough to actually care about what happens to them. Even more underdeveloped than Olivia and Zoey is Liam: we find out pretty much nothing about him, and since he's very much part of the central conflict, I think he definitely would have deserved more screen (page?) time and more character development.

Just as underwhelming as the character development is the plot. I did like how Zoey and Olivia's relationship developed, especially in the beginning, but because the characters are underdeveloped, they don't have enough chemistry to make it work. We find out almost nothing about Zoey's relationship with Liam, which also would have been important for the plot. I just couldn't get myself to care, and there are parts when, despite the book being so short, the plot drags. And then there's the ending, which is just ridiculously overwhelming. It is much too happy and the central conflict is resolved way too easily, making that whole storyline feel kind of pointless. 

I did enjoy this story. Like I said, I love the set-up, and the story is entertaining at least. But because of the lack of character development and dragging plot, No One Needs to Know failed to be anything more than that. Sadly, the whole story was just very underwhelming.
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